The Greek guitarist Antigoni Goni, Classical Guitar Professor at the Royal Conservatory of Brussels (Koninklijk Conservatorium Brussel), enjoys a truly international career, both as a performing artist and as a pedagogue, performing extensively in Europe, Russia, North and South America and the far East, both as recitalist and soloist.
She was the founder and chair of the Guitar Department at the Juilliard Pre-College Division (where she also taught for 10 years), an adjunct professor at the Columbia University as well as Artist –in-Residence with San Francisco Performances where for 5 years she gave semi-annual performances, master classes and workshops for a diverse group of students and audiences. For her International achievements, the Royal Academy of Music in London awarded her with the honorary position of Associate Professor (ARAM).
As a performing artist who has lived and worked in both the U.S. and in Europe, the Volterra Project’s Founder and Artistic Director, Antigoni Goni, has a long and in-depth experience with both the cultural differences between these societies, and with the universal climate of competition that exists in traditional guitar training programs.
A richly gifted composer, improviser and guitarist,Dušan Bogdanović has explored musical languages that are reflected in his style today- a unique synthesis of classical, jazz and ethnic music. As a soloist and in collaboration with other artists, Dušan Bogdanović has toured extensively throughout Europe, Asia and the United States. His performing and recording activities include work with chamber groups of diverse stylistic orientations including The Falla Guitar Trio and jazz collaborations with James Newton, Milcho Leviev, Charlie Haden, Miroslav Tadic, Mark Nauseef, Anthony Cox and others. He has over fifty published compositions ranging from guitar and piano solo works to chamber and orchestral ensembles (Berben, GSP, Doberman-Yppan et al.), as well as close to twenty recordings ranging from Bach Trio Sonatas to contemporary works (Intuition, GSP, Doberman-Yppan, M.A. Recordings et al.).
Don Hlus has performed throughout Southwestern British Columbia as a soloist as well as a chamber musician, including performances with members of the Vancouver Symphony Orchestra, the Vancouver Opera Orchestra, and the CBC Radio Orchestra. Although his formal training was on the classical guitar, his musical interests extend to include a wide variety of music styles, including acoustic fingerstyle, jazz, world, Flamenco, and Celtic music.
Don has been on Faculty at Kwantlen Polytechnic University (KPU) since 1993 and served as Chair of the Music Department from 2012-2018. He is currently the Director of Guitar at KPU. He is also the Founder and Artistic Director of the Fraser Valley Acoustic Guitar Festival, now entering its twenty-second season. n academia, administration and the not-for-profit sectors. With extensive professional experience as educator, career adviser, performing arts presenter, artist representative, business manager, and success coach, she is dedicated to guiding individuals with their academic, artistic and career pursuits in developing fulfilling and sustainable careers.
Gretchen Egolf is an actor, director, and teacher, currently a Lecturer in Acting at London Academy of Musical and Dramatic Arts, Royal Central School of Speech and Drama, Academy of Live and Recorded Arts, and The Actors Centre. She has also taught at RADA and Brunel University, as well as in her own independent studio practice. Gretchen trained at Juilliard (concurrent with Antigoni Goni) and has performed to critical acclaim in theatre, film, and television, in both America and the UK. She has appeared on and off Broadway and in and off the West End, as well as in theatres across the US. Her screen work is extensive, mostly in American television. In teaching and coaching, Gretchen specialises in the Michael Chekhov Technique, receiving teaching certification from the Michael Chekhov Association and having studied extensively with Michael Chekhov London, NYC, and Europe, as well as being a member of Michael Chekhov UK and contributing to the recent New Pathways research project, symposium and book at Goldsmiths. Gretchen also teaches various other methodologies and approaches to acting as well as directing theatre and experimental film.
Michèle Swennen received her education in Brussels in Jaques-Dalcroze rythmics, theater, and classical dance with Marina van Hoeck, and contemporary dance with Renate Peter. She also studied contemporary dance in Paris with Peter Goss, Betty Jones and Fritz Luddin, Michel Nourkil, Karin Waehner, and in New York with Jennifer Muller and Luis Falco.
In 1985, after returning to Belgium from the United States, she created the first center for contemporary dance in Brussels: “Flagrant Délit”. In this framework she further developed her work, becoming an affirmed choreographer and pedagogue.